Nonconformers:

A New History of Self-Taught Artists


The book titled Nonconformers on a white background.  The cover features a woman in pink against a grey background

By Lisa Slominski, Yale University Press (April 2022)

Synopsis

This new publication traces a global history of self-taught artists, advocating for a nuanced understanding of modern and contemporary art which is often challenged by the establishment.

When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of colour, have had a transformative influence on the history of modern art.

Nonconformers includes work by well-known figures such as Henry Darger, Hilma af Klint, and Bill Traylor, and examines how self-taught artists factored into key movements of twentieth-century art. An international group of contributors addresses topics such as the development of l’Art Brut in France and the impact of the Black Folk Art exhibition in America, as well as the creative process of artists working outside of traditional studios.

With contributions by Michael Bonesteel, Mamadou Cisse, Sophia Cosmadopoulos, Tom di Maria, Jo Farb Hernandez, Cheryl Finley, Katherine Jentleson, Phillip March Jones, Sarah Lombardi, John Maizels, William Scott, and George Widener.


Praise

“It’s gripping—the chapter on Lee Godie alone!”—Lena Dunham

“Nonconformers underlines the relevance of self-taught artists, be it aesthetic, spiritual, or practical. It’s a must read for those who wish to expand their knowledge of Art in totality.”—Dr. Joyce J. Scott, visual artist/MacArthur Fellow

“A provocative and meticulous study of over 60 self-taught artists from around the world. Even more importantly, it questions the history, includes essays from global experts, and redefines the entire genre.”—Iain Jackson, University of Liverpool

“An essential addition to any discerning art lover’s collection . . . An informative and important companion for art aficionados, budding curators and total novices alike.”—Vanity Fair London